After that Frankenstein felt tired so he hurled himself on the bed without taking off his clothes. In chapter five of the novel, Frankenstein is at long last accomplished his desired aim of reanimation of dead human tissue. Read More: Wuthering Heights as a gothic novelĭreams and Visions in Mary Shelley’s Frankenstein:Īnother important characteristic of Gothic fiction is dreams and visions. Such frightening scenes create a sense of fear in the mind of the reader and make Frankenstein novel a perfect Gothic novel. But when William starts screaming in fear and when the Monster learns that William is a member of Frankenstein’s family, Monster becomes furious and kills William. At first, the Monster treats her well and calls her beautiful too. In another scene, Monster meets a small child named William. We can see many more such instances in the novel if we look at the actions of the Monster. Frankenstein’s Wife Elizabeth on their Honeymoon Night there is extremely horrifying and frightful scenes packed with terror and horror. When in the novel it is shown that how the monster goes to many places together with its devastating attributes it immediately brings about dreadful circumstances together with terror. Shelley’s novel Frankenstein conveys this characteristic too. The important characteristic of any gothic fiction is evoking fear with frightful situations. Read More: Preface to Lyrical Ballads summary and analysis Terror and Horror situations in Frankenstein: I have wandered here many days the caves of ice which I only do not fear are a dwelling to me, and the only one which man does not grudge.” (Mary Shelley, Frankenstein) This suggests that the monster has been abandoned by humans and hence the monster has been forced to live in a mountain away from the sight of humans. We can notice how secluded the monster was when he utters: “The desert mountains and dreary glaciers are my refuge. Shelley, Bram Stoker, the Sublime, the Uncanny, Vampires, Werewolves, Oscar Wilde, and Zerrissenheit.Mary Shelley also utilizes these dark settings to point out the seclusion and loneliness the monster experiences from the people. Lovecraft, Madness, Herman Melville, Monstrosity, Occultism, Orientalism, Post-Colonial Gothic, Anne Radcliffe, Anne Rice, Romanticism, Sado-Masochism, Mary and P. Among the many topics and literary figures discussed are: American Gothic, Ambrose Bierce, the Bronte Sisters, Angela Carter, the Demonic, Female Gothic, the Frenetique School, Ghost Stories, Gothic Film, the Graveyard School, Horror, Imagination, Washington Irving, Henry James, H.P. From the Demonic to the Uncanny, the Bronte sisters to Melville, this volume plots the characteristics of Gothic's vastly different schools and manifestations, offering a comprehensive guide of Gothic writing and culture. But what exactly does "Gothic" mean? How does it differ from "terror" or "horror," and where do its parameters lie? Through a wide and eclectic range of brief essays written by leading scholars, The Handbook to Gothic Literature provides a virtual encyclopedia of things Gothic. The book ends with a conclusion outlining possible future developments within scholarship on the Gothic.Key Features* Provides a single, comprehensive and accessible introduction to Gothic literature* Offers a coherent account of the historical development of the Gothic in arange of literary and national contexts* Introduces the ways in which critical theories of class, gender, race andnational identity have been applied to Gothic texts*Includes an outline of essential resources and a guide to further readingįrom Anne Rice's best-selling novels to our recurrent interest in vampires and the occult, the Gothic has an unyielding hold on our imagination. Each chapter concludes with a close reading of a specific text - Frankenstein, Jane Eyre, Draculaand The Silence of the Lambs- to illustrate the ways in which contextual discussion informs critical analysis. The discussion examines how the Gothic has developed in different national contexts and in different forms, including novels, novellas, poems, and films. This introductory study provides a thorough grounding in both the history of Gothic literature and the way in which Gothic texts have been (and can be) critically read.The book opens with a chronology and an introduction to the principaltexts and key critical terms, followed by four chapters: The GothicHeyday 1760-1820 Gothic 1820-1865 Gothic Proximities 1865-1900 and theTwentieth Century.
0 Comments
Leave a Reply. |